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Forthcoming album: Nightports w/Matthew Bourne

January 11th, 2018

  At last, the collaborative venture with Nightports (AKA Adam Martin & Mark Slater), will be released on March 2nd  – on CD, and half-speed mastered vinyl. The latter will be housed in a stunning die-cut outer sleeve, designed by Split. Nightports w/Matthew Bourne will be available to pre-order on Bandcamp, and all other digital download READ MORE




New Releases: collaborations w/Nostalgia 77 & Jerry David DeCicca

November 30th, 2017

I’m very pleased to announce the release of these two records on Impossible Ark Records. They are words apart (musically speaking), and have both been in the making over the last year or two. First up, is Machines of Loving Grace – which is a collaboration between myself, drummer Tim Giles and Benedic Lamdin (AKA READ MORE




Duo concert w/Keith Tippett + other London Jazz Festival appearances

November 8th, 2017

  TIPPETT / BOURNE DUO – NOVEMBER 10, KINGS PLACE, 19:30 It’s difficult to express how incredible it is to be making music with Keith Tippett. He is the reason I play the piano the way I do – and his music certainly shaped my early musical development whilst still at college. Fast forward twenty years(!), READ MORE




Twenty-Seven Areas of Contention (for Basil Kirchin) + Sam

October 26th, 2017

for Basil Kirchin by Matthew Bourne     Way back in February, I was asked to take part in Mind on The Run: The Basil Kirchin Story – where I was commissioned by Serious to respond to Kirchin’s work in a solo setting of my choosing. Unsurprisingly, I chose to use the Lintronics Advanced Memorymoog, READ MORE




Twenty-Seven Areas of Contention: celebrating the life and work of Basil Kirchin

October 26th, 2017

Twenty-Seven Areas of Contention is a piece I was commissioned to write by Serious, for Mind on the Run: The Basil Kirchin Story, and was premiered at Hull City Hall on February 19 2017. Devised using two of my favourite electrically-powered musical instruments: the LAMM and my beloved Roland Re-201 Space Echo tape delay, Twenty-Seven… is READ MORE




New Project Live Debut: Nightports / Middleton Hall, Hull / October 12

October 2nd, 2017

  I’ve been working with Adam Martin and Mark Slater (AKA Nightports) in various educational settings over the years, but this is the first time that our collaborative endeavours as musicians / producers, has come to fruition. The Nightports Manifesto is a simple one: only the sounds of the featured musician can be used – READ MORE




World Premier of Isotach, Platform, Glasgow // New Rehearsal Video

September 7th, 2017

Tomorrow is a rather special day: myself, along with violist Aby Vulliamy, and cellist Mick Bardon, will play live versions of material from Isotach, at Platform, Glasgow. It’s the first time I’ve tried to represent something captured on recording so closely in a concert setting. Before we launch into this music for the very first time READ MORE




Massive interview for Fractured Air // New Ray Kane video of ‘Candela’…

August 17th, 2017

Isotach is officially released tomorrow, and I understand there have been a few favourable reviews floating around. I shall do my best to repost these on the usual social media channels, but, if you want a little more insight into the lazy, hesitant, often-reluctant process that is responsible for bringing much of this music to READ MORE




Clash Magazine video premiere

May 24th, 2017

  Clash Magazine have decided to premiere the first of three videos featuring myself playing / talking about the forthcoming album for The Leaf Label: Isotach. Directed by Ray Kane, these videos were shot at my home in Airedale, where the music was recorded. Hopefully these will shed some light on the music from a READ MORE




CANDELA (for Sascha Heeney)

March 27th, 2017

Candela (for Sascha Heeney) by Matthew Bourne   My new album will be released on The Leaf Label this summer. Recorded at home in Airedale, it marks a return to my first musical love: the piano (and cello). It’s slow, intense, meditative. The ‘single’ from the album, ‘Candela (for Sascha Heeney)’, is indicative of the READ MORE